The Wall (Bootleg) (1982)

Pink Floyd - The Wall is a 1982 MGM film by British director Alan Parker based on the 1979 Pink Floyd album The Wall. The screenplay was written by Pink Floyd vocalist and bassist Roger Waters. Though Waters initially considered himself for the lead role, the film ultimately starred Bob Geldof, whose character Pink was loosely based on the biographies of both Waters and former Pink Floyd vocalist and guitarist Syd Barrett, both of whom were founding members of the band. The film also stars Kevin McKeon as the young Pink, and includes brief appearances by Bob Hoskins and Joanne Whalley.

The film is highly metaphorical and is rich in symbolic imagery and sound. It features virtually no dialogue and a non-linear storyline which is progressed entirely through Pink Floyd's lyrical music. Some consider it to be a long music video for the entire album. The only songs from the album not used in the film are Hey You (although material using the song was filmed and the raw footage was first made available on the DVD release as a deleted scene), The Show Must Go On, and Is There Anybody Out There?

The film is scattered throughout with fifteen minutes of elaborate animation sequences by the political cartoonist and illustrator Gerald Scarfe, who played a central role in developing the overall aesthetic of the production. The animation sequences include a bold and nightmarish vision of war, specifically of the German bombing campaign over England during World War II, set to the song "Goodbye Blue Sky".

Roger Waters has expressed dissatisfaction with the final product of the film, and is reported to have been philosophically at odds with director Alan Parker during filming, who himself walked out of the project on multiple occasions due to the conflict. In a 1988 interview on Australian radio, Waters said: "I was a bit disappointed with it in the end, because at the end of the day I felt no sympathy at all with the lead character... and I found it was so unremitting in its onslaught upon the senses, that... it didn't actually give me... as an audience, a chance to get involved with it." [1] Despite Waters' dissatisfaction, the film is considered by many fans to be a worthy interpretation of Pink Floyd's album, and a powerful work of cinema in its own right.

David Gilmour stated that the making of the film was where the feud between him and Waters started. Gilmour also stated on the documentary Behind The Wall (which was aired on BBC TV and VH1 in the US) that "the movie was the less successful telling of The Wall story as opposed to the album and concert versions".

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